Making Magic in the Descendants Series
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
Romulus and the Sabines
The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.
Rating:
Genre:Adventure
Written By:Edoardo Anton
In Theaters:
Box Office:
Runtime:98 minutes
Studio:Finanziaria Cinematografica Italiana (FICIT), Dubrava film, C.F.P.I.
Articles You May Like
'The English' Rejuvenates The Western By Cherishing First Nations
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
This Year, 'Mickey Saves Christmas' for the Kids
An animated short film that never gets old, especially with iconic characters from the Disney series.
The Ultimate North Shore Dream in Blue Crush
If you want to feel the rush, you have to take the risk.
NIGHTBOOKS: Stylish Kid's Horror with a Focus on Acceptance
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.