A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The movie is centered around the title character who goes on a Christmas adventure.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.