Rolf Zuckowski's Dezemberträume 

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters. 

Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.