‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.