Discovering Self-Identity in Santa Girl
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

A voice-over guides the viewer through an underground depot of historic and imaginary relics, from the Alhambra to Romeo and Juliet's balcony. While the anonymous voice strings together backstory after backstory, a parallel history emerges from the darkness of this beautifully decorated limestone quarry, shaped by fantasy, boredom, faith and power.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.