'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

From Zodiac Mindwarp’s completely excessive ‘Prime Mover’ (directed by TV’s ‘The Young Ones’ star Adrian Edmondson) and the LA Guns’ intelligently sleazy ‘Sex Action’ to such prize rarities as KISS’ sexier European Version of their mega-smash ‘Reason To Live’ and Bon Jovi’s never-seen-on-TV ‘Wild In The Streets’, ‘ROCK ‘N’ ROLL MELTDOWN’ is highly volatile. It is therefore recommended that those possessing it keep it out of sight and reach of those parents or guardians inclined to confiscate such art in a misdirected attempt to insulate their kids from the real and exciting world. Have a good time!
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
A family drama is woven with quiet yet powerful forces of words and nature.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.