'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.

"'True Stories' is a very fun and ironic way to bring the spectator a little more close to the scene. The main girl or the main acuter tells the story, which is basically not really a sotry but is a fantasy. I have to say it is quite fun to shoot this line even though it is not always easy for the language problem - not everybody speaks English very well (including myself). Definitely the first scene, with Angelika Grays, I loved very much. But my preferred girl through the whole movie is Olivia Sin, the small Russina girl - very, very sexy. I wish I could have shot more scenes with her; she is really special. Also, I love the scene with Tiffany Tatum, about the nasty secretary fantasy. This is definitely a fantasy for many people." -Rocco Siffredi
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.