Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Robbed, Murdered, and Eaten (2017)
The rural town of Shellby has been dying ever since the new highway passed it by. Tourists no longer stop at Betsy's Cafe for lunch, or at Johnny's Garage for gas. But Joey and his pals have a plan. When business gets really slow, a 'Detour' sign and a few nails on the road solve their problem.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The rural town of Shellby has been dying ever since the new highway passed it by. Tourists no longer stop at Betsy's Cafe for lunch, or at Johnny's Garage for gas. But Joey and his pals have a plan. When business gets really slow, a 'Detour' sign and a few nails on the road solve their problem.
Rating:
Genre:Thriller
Written By:Migdalia Etheridge, Ray Etheridge
In Theaters:10/10/2017
Box Office:
Runtime:49 minutes
Studio:Golden West Films
Articles You May Like
Six Drama Films that Explore the Transgender Experience in Children
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
'Morbius' Uses Vampirism as a Queer Allegory
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
"Apex" Captures the Primal Fear of Being a Woman
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Wait, Did 'The Green Knight' Need To Be That White?
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
The Weirdness that is 'Severance'
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.