A Look Inside the Ivy and Bean Film Series
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.

As summer arrived in Denmark, Ørkenens Sønner took to the stage at Bellevue Teatret on Thursday, June 5, in front of an excited premiere audience. The nerves that had built up among the four desert sons leading up to the premiere quickly proved to be totally unnecessary—the premiere was a resounding success, and praise from both the audience and critics rained down on Ørkenens Sønner.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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