Fai and Yi are an ordinary couple. When Fai becomes a quadriplegic after an accident, their lives face a drastic change with Yi becoming a full-time caregiver amidst financial difficulties. Yi eventually resorts to prostitution to make ends meet. Every time a customer comes, Yi hides Fai in the kitchen and have sex with the stranger in the living room. The couple’s dynamic changes as Yi vents her anger by abusing her husband, while Fai finds new meaning of existence through the pain and a macabre way to fulfill his duty as a husband. Alternating between desire and emotion, the couple floats in the river of desire, struggling to survive.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
