‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

After disappearing for over a week, River tries to put her fragmented memory back together, while teetering on the brink of insanity and questioning what's real vs a dream.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.