'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

The 80s. Victor Baker opens a new season of his youth summer camp. There are a lot of children, a record is set, and two new counselors, Ali and Tommy, join the classics, Ricky and Gina. But an ideal summer turns into a nightmare when a mysterious masked man begins murdering teachers and children ... and revealing Baker's side activities and the dark secrets that the Rising Sun Camp has trailed in 30 years of existence.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Want a list to watch some of the best Japanese anime films of all time? Check out this article which presents some anime films that will keep you glued to your couch!