“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Neil Parker is a passionate wildlife photographer who pays more attention to his wildlife than his human life. as a result his relationships with the real world suffer. When his girlfriend walks out on him he resigns himself to isolation and nature. But a chance occurrence changes all that. Changes that he can't seem to handle, changes that seem to take his humanity away... changes that seem unable to change back? The story follow his journey into a darkness that has to be seen to be believed. A monster that seems to be rising out of the depths of desolation and agony... soulless, depraved and out of control.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.