"Ma Rainey’s Black Bottom": A Lesson in Blues
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.

Soldier Tony Tucker returns from the Falklands War; a bitter and angry man, he soon makes a name for himself in the Essex underworld with his security business and drug dealing, after entering a partnership with gangster Bernard O'Mahoney, his life spirals out of control in a cycle of drugs and violence. Things get even worse when he meets notorious hard man Pat Tate and local drug dealer Craig Rolfe, culminating in the Rettendon Range Rover murders of 1995.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7