While Larry Semon does not star in Rips and Rushes, its confident gags and frenetic pace suggest his touch. In the knockabout one-reeler set in a dance studio, three suitors compete for the girl. James Aubrey, the actor playing the father’s preferred suitor, may look like a Chaplin imitator, but he came by those skills honorably, born like Chaplin in Britain and likewise coming to the U.S. with Fred Karno’s troupe. Nevertheless it’s Alice Mann, with her wacky headdress and knowing glance, who steals the show. Suffice it to say that many vases are broken and pants ripped before she escapes out the window with the handsomest of the beaus.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
