
'Ripples Under the Skin' is a story of contestations - contestation of space, resources, claims, narratives... of a community struggling to carve out a living out of a dying profession contending with a city that both embraces and marginalizes, of a profession that thrives of supplying water to homes... water that doesn't discriminate yet over whom many wars have been fought... wars of caste, class, religion... of muslim migrant workers supplying water to homes that are inviting and uninviting, of homes that they are sustained over the labour of these people, yet homes that the same people can never claim as their own, of memory and forgetting, of dreams and spectres... above all, this is a story of struggles.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
This animated movie focuses on Nick Daley, the son of Larry Daley, as "Kahmunrah Rises Again."
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch