Caught Stealing and Caught Wanting More
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!

A town is being terrorized by a gang of marauders led by Bill Anderson, a clever bandit boss. The town's leadership is deciding to do something against the problem, but it does not believe bringing in the military will be a solution. It is agreed upon that they will request help from the well-known Pinkerton agency. At the same time, Ringo, a gunslinger, is chasing after the bandits. He suspects a deeper-sitting conspiracy than random bandit assaults. He joins forces with the newly arrived under cover Pinkerton agent, to uncover a plot between a local businessman, the Mexican revolution and bandit's heist loot of gold. But the bandits have long planned to move on. Disguised as Mormons, they are moving west to start a new life of farming during the day and robbing stage coaches at night. Ringo and the agent track them down....
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
A science fiction movie brings a strong diverse cast and adventure in outer space.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.