Finding Your Inner Soul and Self in Rip Tide
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.

Opening the 2026 Bayreuth Festival in its 150th anniversary year, this live stream presents Wagner’s Rienzi, his early grand opera and once his greatest success, in the Festspielhaus for the first time. The staging is entrusted to award-winning directors Alexandra Szemerédy and Magdolna Parditka, while Nathalie Stutzmann conducts a superb cast led by Heldentenor Andreas Schager in the title role, with Gabriela Scherer as Irene and Jennifer Holloway as Adriano. With its massed choruses, public spectacle and private tragedy, Rienzi promises to open this landmark Bayreuth Festival in unmissable style.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.