Star Wars Episode VII: The Force Awakens…Safe Start to a Promising Sequel Trilogy!
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.

In a rigged gunfight Tom Blake is forced to shoot a man in self defense and is then hunted for murder. After a long trip fleeing the posse he uses a false name and joins the Pony Express which is just about to commence operatons. Relegated to the most dangerous section of the route, he finds himself fighting the District Manager's scheme to sabotage the inital run. But just then a wanted poster with his picture on it arrives.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Not every silence is empty. Some are filled with things too heavy for words.
As a frequent “the book was better” extoller, this movie was well worth the watch.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.