'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Richard Herring is getting desperate. At 39 years old, he's still making jokes about monkey semen, is wilfully nose-diving into middle-aged pedantry and what's more the love stakes are looking decidedly low. The makings of a midlife crisis? Yes, we thought so too, but - well you don't like to say do you? Still, a life of misanthropic singledom doesn't have to be all doom and gloom - at least his misogyny is postmodern and ironic, unlike Bernard Manning's (actually, is that a good thing?). And he can always take heart in his experience with the carwash company rather carelessly name 'The hand job centre'...
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
An in-depth discussion about anti-Black discrimination in college and professional football.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.