This show brings together legendary artists of the 1960s and 1970s for a once-in-a-lifetime event: Ben E. King and The Drifters, Jerry Butler reuniting with The Impressions for the first time since 1958, as well as The Isley Brothers, Percy Sledge, Eddie Holman, Little Anthony & The Imperials, The Chi-Lites and many more performers singing their most memorable hits, rhythm & blues and soul classics from the '60s and '70s. In salute to several more of the greatest artists of the time, Rhythm and Blues 40: A Soul Spectacular also broadcasts rarely seen footage of Aretha Franklin, Marvin Gaye, Otis Redding, James Brown, and others, performing some of their most unforgettable hits. The program is co-hosted by Dionne Warwick, Jerry "The Iceman" Butler,Sam Moore of Sam and Dave, each of whom also performs, and Richard "Shaft" Roundtree.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
An action film led by two queens, fighting for what they believe in through power and pain.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
