A tryst between the young warrior Hagiwara Shinzaburo and beautiful Otsuyu is discovered, and the shamed Otsuyu commits suicide with her maid. Their ghosts subsequently appear to Shinzaburo. He obtains a door-protecting charm and a statue of the goddess Kannon from a priest to keep the spirits from his home. A conniving servant removes the protective devices so that Otsuyu can reach her lover and cart him away to the land of the dead.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A world of expansion awaits.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
