Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Return to Oz poster

Return to Oz (1964)

Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz. The Scarecrow, Tin Woodman, and Lion (using the names created for the nearly-abstract television series, Tales of the Wizard of Oz, from which this was derived) have had their MGM gifts destroyed by the restored Wicked Witch, and the four proceed to the Wizard for help, who is ineffectual as usual.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz. The Scarecrow, Tin Woodman, and Lion (using the names created for the nearly-abstract television series, Tales of the Wizard of Oz, from which this was derived) have had their MGM gifts destroyed by the restored Wicked Witch, and the four proceed to the Wizard for help, who is ineffectual as usual.

Rating:
Genre:Animation, TV Movie, Family, Fantasy
Written By:Romeo Muller
In Theaters:2/9/1964
Box Office:

Runtime:51 minutes
Studio:Rankin/Bass Productions, Videocraft International, Crawley Films

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood