Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Return Of The Creeps poster

Return Of The Creeps 

Athens 1982. Somewhere between Kypseli, Patisia and Exarchia districts, Creep Records was born. In its four year run, Creep Records featured some of the most important bands of the Greek New Wave, Post Punk and Dark Wave scene on its roster. Creep released a series of iconic records that are, to this day, music works of inestimable sentimental value. A documentary about one of the first and most influential independent record labels in Greece which gave shelter to several underground bands of the 80's, such as Yell-o-Yell and many others. Besides the personal narratives of the founder of Creep Records Babis Dallidis, the film also features members of the bands who recorded with the label, such as Angelo and His Egos, Art Of Parties, Clown, Cpt Nefos, Headleaders, Metro Decay, Rehearsed Dreams, The Reporters, South Of No North, Villa 21 and The Vyllies.
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Athens 1982. Somewhere between Kypseli, Patisia and Exarchia districts, Creep Records was born. In its four year run, Creep Records featured some of the most important bands of the Greek New Wave, Post Punk and Dark Wave scene on its roster. Creep released a series of iconic records that are, to this day, music works of inestimable sentimental value. A documentary about one of the first and most influential independent record labels in Greece which gave shelter to several underground bands of the 80's, such as Yell-o-Yell and many others. Besides the personal narratives of the founder of Creep Records Babis Dallidis, the film also features members of the bands who recorded with the label, such as Angelo and His Egos, Art Of Parties, Clown, Cpt Nefos, Headleaders, Metro Decay, Rehearsed Dreams, The Reporters, South Of No North, Villa 21 and The Vyllies.

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Genre:Documentary
Directed By:Nikos Chantzis
Written By:Nikos Chantzis
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