‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Resurrection follows an all-American, clean-cut kid (Trent Atkins) as he explores the underground world of a sex club in Los Angeles for the very first time. Seconds after passing through the sex club doors, Atkins is cruised by the hot, horny men lurking in the club's shadows. Deceived by Atkins' youth and innocent appearance, many of the men assume that he must not be aware of what he's stumbled into; but moments into Resurrection it becomes quite evident to them that looks can be deceiving.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
A teen comedy that nobody wants to see.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7