'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Mio came to Tokyo with her sights on becoming a singer/songwriter, but that dream was dashed by a scandal without her ever becoming successful. She returns heartbroken to her hometown of Shimokawa where connecting with her parents, her former classmates, and the rich natural surroundings help her emotionally recover.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A reboot series based on the popular original Nick teen sitcom of the same name.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.