Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Resistance is the Only Way poster

Resistance is the Only Way 

The film consists of six parts - events in different cities of Russia (Moscow, Tutaev, Yaroslavl, Lipetsk, Togliatti). Rallies organized by independent workers' unions and demonstrations in which young people take part are shown. These are the first, not yet confident attempts to defend their rights.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The film consists of six parts - events in different cities of Russia (Moscow, Tutaev, Yaroslavl, Lipetsk, Togliatti). Rallies organized by independent workers' unions and demonstrations in which young people take part are shown. These are the first, not yet confident attempts to defend their rights.

Rating:
Genre:Documentary, Drama, History
Directed By:Svetlana Baskova
Written By:
In Theaters:
Box Office:

Runtime:85 minutes
Studio:

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood