Former East German engineer Erich Becker had been lured to West Germany by promises of a high reward. Now residing in Stockholm, he is recalled to serve as a spy in the East. He is to convince Dr. Jadenburg to flee from the GDR with the help of his daughter Hanna, who works for the West. While travelling on the train with Hanna, he is told that he is also to murder another agent who betrayed and now works for the Stasi. The traitor is revealed to be a former friend of Becker, Harry Korb.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
