Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.