Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Repögla poster

Repögla 

The burglar Mikael breaks into a large house in a residential area, that he thinks is empty. As he walks through drawers and rooms, he discovers that he is not alone. A man, Jonas, is in the house. The burglar is hiding. The man is dressed in his best suit and seems to perform some kind of ritual. The burglar has little idea that he will play a decisive role in another man's fate. What is he going to do? Should he intervene?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The burglar Mikael breaks into a large house in a residential area, that he thinks is empty. As he walks through drawers and rooms, he discovers that he is not alone. A man, Jonas, is in the house. The burglar is hiding. The man is dressed in his best suit and seems to perform some kind of ritual. The burglar has little idea that he will play a decisive role in another man's fate. What is he going to do? Should he intervene?

Rating:
Genre:Comedy, Drama
Directed By:Rasmus Tirzitis
Written By:Rasmus Tirzitis
In Theaters:
Box Office:

Runtime:12 minutes
Studio:Nordic Narrative

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses