Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Picture this scenario: Your car hits a small girl. She is lying on the ground, bleeding but still breathing.There are two options: in the event of bodily injuries resulting in disability, you will be liable to pay out compensation to cover a lifetime of medical, unemployment and care expenses. Fatalities, in ironic contrast, can be settled under the table for a small lump sum. What do you choose? With a heavy foot on the accelerator, an old man listens to his favourite tune filling the air of his car, about to make a spin of no return. In dire situations, primal instincts kick in and you must do what you must to survive. When the law fails, there is no other alternative but to take justice in your own hands.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.