The Love Triangles in 'Tall Girl'
In Tall Girl, Jodi learns to stand tall and find confidence within.

Kısmet, who struggles to run her father's legacy (a valuable piece of land), always refuses her contractor brother İsmet's insistence that she buy the land. Until she reaches the brink of bankruptcy and accepts her brother's bet: If İsmet wins, he will buy the land; if Kısmet wins, the tutoring center’s debts will be paid off, and the medical expenses for the poor student’s brother will also be covered. Which class will win more exams? The construction worker İsmet, who formed his class ("Titans") by paying the university, or the educator Kısmet, whose class ("L") consists of students who have failed the exam for three years? To make matters worse, the mentor teacher Kısmet relied on was kidnapped by the fugitive Bobinci Nuri, and thus the exam motivation techniques are now being taught by a prisoner.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Emily and Stephanie are back... just add gin and drama.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.