‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

The world of rowing is made up of stories. A fabric formed by the bonds of friendship woven on the river; the passion of competition; and the adventure of a good journey. It is the stubbornness of the last wooden boat carpenters and the perseverance of social clubs in the face of adversity. Stories that span time and bring a glorious past into tension with a present of uncertain future.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.