What was the #1 story in gay entertainment for 2003? Was it “Queer Eye,” “Boy Meets Boy,” Tab Hunter and Richard Chamberlain, or the fact that (as of this wiritng) Will Truman still doesn’t have a boyfriend? Nope. Nada. Not a chance. The #1 story in gay entertainment for 2003 was the departure of John Rutherford from Falcon Studios and his purchase of Colt Studios. Now this was news! Why? Because the man who turned the Falcon image into an icon was moving to a studio whose equally iconic ideal was its polar opposite. Consider: The “Falcon Man” has only recently reached manhood. He’s in his mid-20s at the most, with a flawless swimmer’s build and a huge cock. The hair on his head is perfectly styled, and it’s virtually the only hair on his body. When he wears anything, it’s white Calvin Klein briefs, and he rarely shows much emotion during sex beyond the orgasmic groan. Think Tom Cruise and the cast of Top Gun. Yum!
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Looking back at the representation of different cultures in the magical world of Harry Potter
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
