A playful yet critical exploration of a singularly Panamanian phenomenon, Reinas ushers us into the spectacular, strange and stressful world of queen ceremonies. An integral part of Panamanian folklore, our queens symbolize the festive aspect of our national spirit. But they also promote a very particular, potentially troubling idea of womanhood.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
