Sid lives in self-imposed isolation with his dog, Ace. That is until, one day, amidst the surrounding mountainscape, Sid sees a mysterious house appear on the horizon. Upon closer inspection, this house is familiar; it is his home. The same ravaged stone, mossy notches, and chipped painted wood. As Sid’s initial suspicions continue to grow, so does his all-consuming obsession with the house. He starts to plant traps and experiments, each taking him a step closer to the truth; that the house is a window into his future.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
