'Hacks' Is Not a Hack…It's Comedic Perfection
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.

In 1920s Belgium, poverty drives many to seek a fresh start across the Atlantic. Among them is Jan Leemans, an ambitious inventor from the Flemish countryside. When his early dishwasher design catches the eye of Walter, a powerful Belgian industrialist in New York, Jan is offered a life-changing opportunity. He leaves behind his beloved Marie in Kallo, promising to send for her once he’s established. But in America’s fast-paced industry, Jan becomes entangled in ambition, loyalty, and deception. Back home, Marie’s overbearing mother sabotages their connection by intercepting letters and sowing doubt. As Jan’s dreams take shape, so does the growing distance between him and his past. When Walter’s sophisticated daughter Louise sets her sights on him, Jan must choose between a dazzling future—and the love he may lose forever...
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
Movie explained - Despite the glaring flaws present, Young Adult Matters is held together by the performances from Yoo Mi and Hani, who keep the story afloat. Though an interesting story, Young Adult Matters is worth watching solely for these performances. Among its brilliant performances is a messy, self-indulgent, and at times overwhelmingly brutal story with more potential than follow through.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?