'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Incorporating the manic approach of The Monkees and the camp aesthetic of the 60s Batman TV series, this heist movie in drag is a laugh-riot from wigs to stilettos. Starring, Hedda Lettuce and Miss Understood as a pair of none-too-glam dragqueens, down on their luck and living the low life in New York City circa 1992. A not particularly bright scheme to reinvent themselves as Bonnie and Bunny, bank robbers in daring frocks, rockets them to fame and finally gives them enough cash to hire a posh, Eastern European, interior decorator, specializing in rococo. But all is not feather boas and sequins. The envy of Brenda, bitchy Morticia Adams clone, and Violet, a whip-wielding dominatrix, scheme to ruin the party.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
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