“You Can See Everything” and it’s a Lot
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.

Horror novelist Luke Sinclair retreats to a small town to finish writing his latest book. A young woman is murdered in the woods nearby, in circumstances similar to those in his bestselling novel, "Reaper". Faced with increasing pressure from a suspicious local sheriff, as well as the advances of a female FBI investigator, he must uncover the killer before he or she strikes again, further implicating him in the crime.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Based on a true story, this sports movie is centered around a college football player.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.