Nasser, an unexceptional washout, is diagnosed with a brain tumor when he meets an enigmatic and peculiar young woman. Infatuated by her and sick of being a failure, he must quickly figure out what he wants to do in life before he goes through a risky surgery, and reach out to the young woman with the most seductive way there is .. a song.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Growing up with a lot of siblings, young Beth felt ignored her immediate family. Uncle Frank made her feel seen, heard, and accepted.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
