The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

There’s nothing like a wrestling match to decide who gets fucked first. Sean loses to Benjamin and takes his thick cock like a champ! Fernando realizes JD has a morning wood under the blanket and dives mouth first onto the hard pulsating dick. While painting Daxton’s chest, Trey gets a little touchy which throws Daxton off but his cock is getting hard and Trey is on his knees painting when he notices the bulge. Andrew wants to make a morning fuck video and so unzips his pants and let’s Emanuell go to town on his long shaft. Finally, Sam And Drake head out to a hidden garage to get down to business until both shoot there hot creamy loads all over the place.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!