EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Ah Sheng, released after 25 years in prison for murder, faced uncertainty about life and his elderly father. At a welcome-back party thrown by his boss, Long Ge, Ah Sheng witnessed the boss attacking his child. He took the child to the hospital, discovering abuse, and decided to care for both the child and the old man, realising they had no home to return to.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.