Mortal Kombat: Scorpion’s Revenge Gives Fans a Gory Good Time
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.

About two hours east of Los Angeles, thousands gather each spring in Hemet for The Ramona Pageant, the oldest continuously staged outdoor play in the United States. The production draws from Helen Hunt Jackson’s Ramona, a cultural force that helped shape California’s identity and spotlighted injustices against Native Americans. Following the pageant’s centennial, the film tracks Eli Santana, who plays Alessandro, as he investigates the real history behind the fiction, including the 1880s killing of Juan Diego. In museum archives, the team discovers a rare wax cylinder that preserves the killer’s testimony. They seek out descendants of Juan Diego and his wife, Ramona Lubo, and record a new wax-cylinder statement to restore her missing voice. The journey culminates at the pageant, where descendants and Bird Singers gather, and Eli debuts The Ballad of Juan Diego, reframing a California myth for the next hundred years.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.