
When lovelorn Michael arrives in Berlin to return a set of keys to his ex-girlfriend, Gabi, as an excuse to see her again, he finds her apartment empty save for a couple of plumbers making repairs to the central heating. Just as Michael learns from the plumber’s apprentice, Harper, that Gabi has popped out for a while but will return soon, the apprentice is attacked by his boss who has unexpectedly and inexplicably transformed into a raging madman. Together, Michael and Harper manage to bundle the crazed plumber out of the apartment and barricade themselves safely inside. Within minutes, they find themselves trapped in apartment block under siege from a horde of similarly insane people, apparently hungry for human flesh.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
This article will cover why this film is categorized as a documentary and concert film.