The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Raúl Juliá: The World’s a Stage is a warm and revealing portrait of the charismatic, groundbreaking actor’s journey from his native Puerto Rico to the creative hotbed of 1960s New York City, to prominence on Broadway and in Hollywood. Filled with passion, determination and joy, Juliá’s brilliant and daring career was tragically cut short by his untimely death at age 54.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.