Why ‘The Hunchback of Notre Dame’ is the Best Animated Disney Movie Ever Made
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.

Após 4 anos de apresentações lotadas por todo o país, Rafinha Bastos lança o DVD de seu primeiro show solo de stand-up comedy: A Arte do Insulto. No espetáculo que o projetou, Rafinha destila humor e muita polêmica. O ator judeu e gaúcho não poupa as próprias raízes – e nem as alheias. Em cima de um palco, apenas um microfone, um banco, muito sarcasmo e ironia. Rafinha Bastos diz o que pensa, em um show sem frescura, sem censura e sem limite. Ah… e nos extras, um documentário de 30 minutos com o primeiro show do comediante em sua cidade natal: Porto Alegre. Muito legal! Pelo menos foi o que ele e três carpinteiros suecos disseram.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.