Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Rabab poster

Rabab 

As Rabab escapes from the cruelty of his stepmother and stays with an actress, she meets the young man, Ihsan, who tries to assault her inside his car, which overturns and dies. With his father’s attempt to take revenge on Rabab, she decides to flee again to Cairo to work as a teacher there under the name (Najwa). Then she met a colleague of hers and married him.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


As Rabab escapes from the cruelty of his stepmother and stays with an actress, she meets the young man, Ihsan, who tries to assault her inside his car, which overturns and dies. With his father’s attempt to take revenge on Rabab, she decides to flee again to Cairo to work as a teacher there under the name (Najwa). Then she met a colleague of hers and married him.

Rating:
Genre:Drama, Crime
Directed By:Ahmed Galal
Written By:Ahmed Galal
In Theaters:
Box Office:

Runtime:110 minutes
Studio:Ahmed Galal

Articles You May Like


"She Rides Shotgun" — A Gritty, Heartbreaking Father-Daughter Thriller

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

Nilufer Ozmekik

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones