'Better Nate Than Ever' takes to Broadway
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.

Straight guys care so much about keeping their pride - so even when they unexpectedly get wood for their male friends, they would sooner die than admit it! That's why it's up to their buddies to coax these horned up jocks out of their denial. They may shake their heads no, but their throbbing hard-ons tell a different story, and dicks don't lie! It's gonna take some convincing to get him to say yes to unleashing the rock-hard bulge forming in his pants, but not as much as you'd think. His client's husband, his sister's fiance, his roommate, his bro's best friend all these ripped straight hunks doth protest too much, but secretly wanna get it on the down-low. Sometimes you just gotta say "dude - quit bitchin' and FUCK ME!" Phenix Saint, Mark Long, Arad, Luke Milan, Lucas Knight, and more, star in five stories of steamy straight seduction that'll have any straight guy saying "fuck it" and diving right in on their buddy's fresh hole.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?