The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom