2022 Academy Awards - Incluvie Selections
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.

Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel. - Written by Madeleine Molyneaux, producer
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
A family drama is woven with quiet yet powerful forces of words and nature.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.