'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

Many years ago, on a faraway island, there lived a Sun Duck who protected his flock from evil powers. The Sun Duck had his loyal guardians who made sure the Sun evenly spread its energy on their flourishing land. The bliss continued until an Evil Witch learned of the Sun Duck's superpowers. She seized the guardians and stole the Sun Duck away for the only sake every living woman would understand: eternal youth and mesmerizing beauty. Today, nobody believes in old legends. Mandarin ducks peacefully reside on their island and abide by the law that prescribes "no flying on the island" and "never leave the island". The Emperor is the only one who knows that the legend is true and that the next generation Sun Duck has been born. He keeps it in strict secrecy, but the Witch also knows that the legend is true and she is coming back for her next victim.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets